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The Nautch Girl
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The Nautch Girl : ウィキペディア英語版
The Nautch Girl

''The Nautch Girl'', or, ''The Rajah of Chutneypore'' is a comic opera in two acts, with a book by George Dance, lyrics by Dance and Frank Desprez and music by Edward Solomon. It opened on 30 June 1891 at the Savoy Theatre managed by Richard D'Oyly Carte and ran until 16 January 1892, for a respectable 200 performances, and then toured the British provinces and colonies.〔Rollins and Witts, pp. 13, 26, 76, and 78-80〕
The cast included several players familiar to the Savoy's audiences: Courtice Pounds (Indru), Frank Thornton (Pyjama), W. H. Denny (Bumbo), Frank Wyatt (Baboo Currie) and Rutland Barrington (Punka, replaced by W. S. Penley, when Barrington left the company for several months to tour in a series of "musical duologues" with Jessie Bond). The part of Chinna Loofa was the last role that Jessie Bond created at the Savoy. She wrote in her memoirs that it was one of her favourites. The title role was played by Lenore Snyder, the last of a number of actresses who had played Gianetta in ''The Gondoliers''.〔Rollins and Witts give her name as Leonore. ''The Era'' in the cast list printed in its 4 July 1891 issue gives it as Lenore, as does the original Savoy theatre programme.〕
The opera was absent from the professional stage throughout the twentieth century but has been revived occasionally by amateur companies. The opera received its only known North American performances on 7 and 8 August 2004, by the Royal English Opera Company of Rockford, Illinois.〔''The Gaiety'', winter 2004 issue, pp. 27-31〕
==Background==

When the Gilbert and Sullivan partnership disbanded after the production of ''The Gondoliers'' in 1889, impresario Richard D'Oyly Carte was forced to find new works to present at the Savoy Theatre. This was the first non-Gilbert and Sullivan "Savoy Opera", but it was designed to resemble its G&S predecessors, in particular ''The Mikado'', with its exotic oriental setting.〔Hicks, William. (Article comparing ''The Nautch Girl'' and ''Utopia Limited'' ) (2003)〕 ''The Times'' review of 1 July 1891 noted:
:...Both Mr. George Dance and Mr. Edward Solomon have... subordinated their own individualities to the traditions of the theatre, and have produced a work which, if brought out anonymously, would be unhesitatingly classed, by superficial observers at all events, among the rest of the "Gilbert and Sullivan" operas. It may, indeed, be doubted whether the older collaborators would have followed their own example so closely as their successors have done.
Carte knew Solomon well, and he had presented Solomon's 1881 comic opera, ''Claude Duval'', on tour in 1882. In 1893, Solomon's ''Billee Taylor'' (originally produced in 1880), also joined the D'Oyly Carte repertoire. Desprez had written several curtain raisers for the Savoy during the 1880s. Dance was the younger collaborator, and later he was responsible for the phenomenally successful musical ''A Chinese Honeymoon'', which ran for more than a thousand performances at the turn of the century.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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